![]() What's really being asked for here is to be kept in the plane of the enlightened rather than spit back out on Earth to live life again. Lord, until the sun goes down, 'til it goes down Why don't you arrest me? Throw me in to the jail house It's all night pourin', but not a drop on me Ran into a rainstorm, I ducked back into a bardo ![]() That interpretation clarifies why Garcia begs to be arrested. You die, spend time in the bardo, and then are born again (unless you've achieved enlightenment). Where things get really interesting is with the line "ducked back into a bar door," which could be play on the word "bardo." In Buddhism, bardo is the place or state-of-existence between two lives. That why, if you please, I'm on my bendin' kneesīertha don't you come around here, anymore If we look at "Bertha" as "birth," then the chorus: So, in "Bertha," Garcia's saying (with Hunter's words) that he's tired of running through the birth-death-reincarnation cycle over and over again. A simplified view on the Buddhist belief is that we have to keep cycling through lives until we achieve enlightenment, at which point we can get out of the run around and escape the game. The song is then about a fellow going through the cycle of birth, death, and reincarnation. Going by Hunter's statement, though, the song is far more interesting that that. Gorgeous Printed Tee with front and back print 100 Cotton, Preshrunk Machine wash warm inside out with like. The song is fun and upbeat, so the silliness of the lyrics seems fitting. Grateful Dead Bertha Roses Wagon Wheel Tee. ![]() Playing in the Band is a bonus on The Closing of Winterland (albeit with the final half minute inexplicably edited), which also has a hidden cut of Bill Graham talking to the rafter guy.The simple surface interpretation of "Bertha" is that some unnamed character runs from a window, into a tree, and then into a bar, where he takes shelter from the rain. The wier.6340 has better clarity and is brighter, but also slightly noisier, with less image, pitch discrepancies, and lots of cuts (the unknown.1563 is the same source but out of order). SOURCES: The Bertha is the most complete source, though the last three songs are pitched slow (JBG & UJB need +1% and 1MSN needs +2%). One More Saturday Night - wee-hour energy leaving it all on the stage Uncle John's Band - more of a rock version Sing Me Back - probably as good as it ever got Mississippi Half-Step - about to be a big '73 song The existing recordings of One More Saturday Night aren't great but Jer is.Ĭasey Jones - Jer makes the effort check Keith Wedged between two rockers, Uncle John's is infected - upbeat and with Billy double-timing. JBG is well-played, with no Donnaskreech™, but the final two are great. Sing Me Back Home is a quintessential version - if it has fans, then pretty sure this is better than the E72s. If the show has been officially released then the link will take you to an online store since they're not allowed to host it on the LMA. Click on the show to go to the Live Music Archive and listen to the Bertha mp3 stream. Sugar Magnolia is fantastic and sounds like a '74. Favorite Versions Of Grateful Dead Songs Tracing the evolution of Bertha through it's years of live performance. Then the guy stuck way up high, hanging under the ceiling thing happens. The Morning Dew isn't the biggest but has great tones. The Other One makes it over 33min before the lyrics (is that a record?). The Drum & Bass jam has Keith joining in, then Jer, and goes way out there for '72/'73. Post-Drums is where the show really takes off. The Truckin' jam doesn't go many places but is played well. Jer rushes Promised Land - no solo - to get to a great Half Step, but then he's mixed too low for Big River. Casey Jones is almost a perfect version - though it didn't vary much at the time, Jer finds an approach and check Keith. The official version not only cuts the ending but has a weird tape waver not on this source. Playing in the Band has some Donnaskreech™ but is still a way nice, big one and Billy is hot. ![]() Jack Straw & Beat it on Down the Line-10 are good but it's not until the end (a great Tennessee Jed) that things stand out as above average. 'One of the Grateful Dead's most consistently played songs from 1971 to 1995, this was one of the handful of songs for which the Dead never. Around & Around is uptempo, but that's not advantageous and by Mexicali it's a bit sloppy. The show is also known for no Pigpen, and the guy that was found hanging high up under the ceiling, stopping the show.įirst Set. Unfortunately there were crowd injuries and the city almost shut down Bill Graham and/or Winterland. In typically weird GD fashion, at 3AM they suddenly take off. It actually all takes place in '73, which is interesting because it SOUNDS like a '73. ![]()
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